By: Grace Gao

The conductor lifts his baton, and a hundred musicians before him ready their instruments. Young musicians in their late 20s to seasoned players over 60 await the conductor’s directions. There appears to be great diversity among musicians in the world-famous Boston Symphony Orchestra. In reality, it is anything but that. In the time since its inauguration in 1881, the Boston Symphony Orchestra has only had two Black musicians, and only one is currently active.

Suppose we are to truly call our orchestras “American.” In that case, they must reflect all aspects of American culture. From the iconic ballads of Prince Rogers Nelson to the rousing lyrics of Michael Jackson, Black musicians have certainly proved their talent and exist at the heart of American culture.

Titus Underwood, one of two Black players in the Nashville Symphony, says, “Can you say that you’re an American orchestra without having any Black representation? We must reflect American culture. And American culture is nothing without Black musicians being at the center.”

Black musicians deserve a voice in the world of classical music. Their leading role in shaping today’s American culture will make them the protagonist in society’s story for centuries to come.

We have come far in our journey to diversity but still have miles to walk. Classical music is just one area that diversity has yet to touch.